Finnick Odair was forced to prostitute himself by the people who put him in an arena to be murdered for their own entertainment and then when he survived all that and he finally got to marry the woman he loved he was mauled to death by mutts in a sewer and none of his friends even tried to save him so now he will never get to see the son he didn’t even know he was going to have.
Okay, okay, I’m going to tell you what Hermione sees in Ron.
A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.
So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.
“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.
When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.
So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.
In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.
So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.
Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?
[John: Because we need to market the movie to girls.]
I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.
Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?
She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.
Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that.
”—Melissa Anelli THROWS IT DOWN about the way Ron and Hermione have been adapted in the movies on the latest episode of PotterCast. Listen here. This glorious rant starts at about 49:00. (via karakamos)
I was mucking around with Audacity, listening to songs in reverse. For the fun of it, I put on everyone’s favorite song, Blurred Lines. And shockingly, I heard something I had never expected to hear. Robin Thicke was fooling us this whole time. He wasn’t trying to be misogynistic, he wanted us to listen closer to the song and understand that he in fact does believe his lady partner needs to be treated with the utmost respect.
You might find it VERY hard to believe, but I implore you to listen very closely (with headphones if you can, because it can be hard to hear). The message I’m talking about comes in around the 30 second mark.
After the 30sec mark I just kind of stared at my wall for the rest of the song trying to accept what I just heard.
“We praise people for being “naturally” smart, too, “naturally” athletic, and etc. But studies continue to show, as they have for some time now, that it is generally healthier to praise schoolchildren for being hardworking, than for being naturally gifted. We know now that to emphasize a child’s inherent ability places pressure on that child to continue to be accidentally talented, which is something that is hard for anyone to control. When the children who are applauded for their natural skills fail, they are shown to take the failure very personally. After all, the process of their success has always seemed mysterious and basic and inseparable from the rest of their identity, so it must be they who are failing as whole people. When students are instead complimented and rewarded for their effort and improvement, they tend to not be so hard on themselves. When they fail, they reason, “Well, I’ll work harder next time.” They learn that they are capable of success, rather than constantly automatically deserving of it, and they learn simultaneously that they are bigger and more complex than their individual successes or failures.”—
my friends sister was telling me about how in highschool a guy tried to take a picture up her skirt as she was walking up stairs and she saw, grabbed his phone, broke it in half, and handed it back to him and said “you can tell your mom why your phones broken”
for a second I forgot about flip phones and I was like how in the holy hell did she rip a phone in half
i luv kids they are so much funner to talk to than adults. i asked a toddler today whats up and he said “ten” with such conviction i really did believe it was an adequate response to my question for a second
What To Do When Your Boyfriend’s Asshole Best Friend Says, “Hey, Never Trust Anything That Bleeds For Seven Days And Doesn’t Die,
OR The Only Poem I’ll Ever Write About Periods.
Don’t excuse him because he’s had
at least three lite beers
and is sweating through his black button down
that his mom or exgirlfriend
probably bought him.
Don’t excuse him because he’s been turned down
by the last six girls he went on dates with
after meeting them on tindr
with a picture that’s seven years old
Don’t excuse him because
he’s usually such a nice guy
because you don’t want to be a bitch
because you don’t want to cause a scene
because when you were seventeen
your sister told you
no one likes an angry feminist
Let me explain something to you.
Every goddamn motherfucking month since I was eleven,
a part of me
tore itself to shreds
ripped itself apart inside me
and then remade itself.
So yes, I bleed for seven days
and I don’t die
You know what else can do that?
Things of legend.
Fuck, I can even
So I say, never trust anything that can’t
bleed for seven days and not die.
You know what that makes it?
So let’s see, hon,
What you’re made of.
If you can bleed for seven days
and not die.
Rip out his jugular with your teeth.
And when he bleeds for seven seconds
spit on his corpse and say,
I thought not.
From her first POV chapter, Arya could never truly reconcile the ideals of her society with her own personal beliefs. Her belief in the importance of women, her championing a butcher’s boy against the future King, her stringent code of justice and morality, always clashing with societal constraints and expectations. Its no wonder she struggled with feelings of inadequacy. She just couldn’t fit into the mold, though she tried her best to.
#ARYA STARK #WHO KNOWS BETTER THAN TO JUDGE PEOPLE BY THEIR SOCIAL CLASS #WHO BEFRIENDS ALL TYPES OF PEOPLE ON HER JOURNEY #WHO BELIEVES IN ALL TYPES OF EQUALITY #IN HER FIRST POV CHAPTER SHE RELFECTS TWICE THAT LIFE ISN’T FAIR #WHEN IT COMES TO FEMINISM #AND HOW JON IS TREATED BECAUSE HE IS A BASTARD #she is only a child when she thinks these thoughts and that’s incredible imo
mermaids as a matriarchal warrior race. known for their viciousness, their fearlessness, their unmatched speed in the water, their insatiable hunger for human flesh and human gold. they have been known to outrun the fastest ship. they capsize boats in the night, they sink navy warships, nothing but spears and teeth against canons and guns and swords. they are feared by all who know to fear the sea. sailors brag to each other about having survived a mermaid attack, showing off their scars. pirates pay them tribute in return for safe passage in their waters. merchant vessels sail always with their eyes on the horizon, one eye out for the pirates black sails, one for ripples in the water
“It’s important for little girls to know not every story has to be a love story and for boys to know that soldiers aren’t the only ones to triumph in war.”—Guilermo Del Toro - How Pacific Rim saved his life
“I wanted to show that men and women can be friends without having a relationship,” says del Toro of the relationship between the two main characters Mako (played by Japanese actress Rinko Kikuchi) and Raleigh (“Sons of Anarchy” star Charlie Hunnam). “Theirs is a story about partnership, equality and a strong bond between partners. It’s important for little girls to know not every story has to be a love story and for boys to know that soldiers aren’t the only ones to triumph in war.” (via neverfeedthesarcophagi)